Posts Tagged ‘Joseph O’Neill’

‘Godwin’ by Joseph O’Neill – United States Office Politics and European Football

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‘Godwin’ by Joseph O’Neill       (2024) – 277 pages

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Despite getting some rave reviews elsewhere, the novel ‘Godwin’ never quite worked for me. Neither of the two main strands of the plot – the search for the young African soccer player Godwin and a United States office politics situation – fully captured my interest. The only character holding these two strands together is the main character Mark Wolfe and he does not come alive in either part. Even after reading the entire ‘Godwin’, I hardly understood anything about and had little insight into its main character, Mark Wolfe. When the main character of the novel is not fully developed, the novel is going to have problems holding one’s interest.

The sections that take place in a technical writing consortium of which Mark Wolfe is a member are especially lacking in interest. These sections seem intentionally convoluted to reflect the sorry United States office politics.

Those sections that take place overseas involving the locating of the young African soccer player Godwin do have one fully developed character named Lefebvre who is a long-time French soccer scout and agent. He always refers to soccer as football as Europeans do. He has a video of the young African Godwin playing a full game of soccer, and he is mightily impressed. When Lefebvre speaks, he often spouts cliches about the sport.

What is this fact? It is this: football is its own religion. It has its own gods and priests, its own traditions and doctrines and churches. It has its own reality.”

Lefebvre has spent much of his adult life searching for African soccer talent, and he now bad mouths nearly everything African except these young soccer phenoms.

Italy is a paradise. Benin is a hell.”

At one point, Lefebvre makes the following comment:

Terrorists, jihadists, criminal gangs – in short backward types from the world over – would disfigure the gentle streets of Germany.”

I guess after World War I and World War II, I would never speak of “the gentle streets of Germany”.

I did read with interest Lefebvre’s detailed account of the absolute horrors of the Slave Trade in the historical Kingdom of Dahomey (which was part of the modern day country of Benin). The English, the Dutch, and the French colonialists in Africa all participated in this Slave Trade. Humans from the interior of Africa were hunted down, captured and put in chains, then auctioned off. In chains, they were then marched to the sea and put on ships headed for North or South America where they would be forced to work as slaves. At one point, Lefebvre compares this Slave Trade to the Holocaust.

However overall I did not find the situations in the novel ‘Godwin’ compelling or convincing. It might have helped if Godwin were actually a character in the novel instead of only described by others.

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Grade:   C

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‘Reverse Engineering’ – Modern Short Stories Disassembled by their Authors

 

‘Reverse Engineering’, a collection of short stories by various authors  (2022) – 170 pages

 

I read collections of short stories by various authors for my own purpose. Usually in a collection I will find that one story which I like more than the others. In that case I will often later get a novel or an entire story collection by that author alone. Anthologies are a good way to try out a number of authors to find those few who appeal to my individual taste.

The stories in this anthology have nothing in common that I am aware of, except all examples of vivacious diversity.”

In ‘Reverse Engineering’ the editor, Tom Conaghan, has re-published one of the more acclaimed stories written by each of these authors, and then discusses that story with the author. The authors included in order of their stories are Chris Power, Sarah Hall, Jon McGregor, Mahreen Sohail, Jessie Greengrass, Irenosen Okojie, and Joseph O’Neill.

How did the author achieve the effects of their story?

All of the authors seem to agree that a story is powerful because it is not completely determined by the author ahead of time. In other words, it is not all cut and dried, not all prearranged ahead of time. This allows room for the imagination, for surprises. Perhaps a good story goes beyond its author’s original intentions.

I didn’t see it coming either. You don’t want to see it coming, if you’re the writer. Because if you don’t, neither will the reader.” – Joseph O’Neill

This is a good solid collection of short stories. I had read only one of these authors, Jon McGregor, before. I quite enjoyed the stories by Chris Power, Sarah Hall, Jon McGregor, Mahreen Sohail, and Joseph O’Neill. My favorite somewhat surprisingly was ‘Hair’ by Pakistani writer Mahreen Sohail. ‘Hair’ is about the somewhat universal way young men and young women interact, using the metaphor of cutting or not cutting your hair as the example.

She is eighteen, almost nineteen, and most of her friends are dating the men they believe they will marry. Surely a man she is here for right now in the most impossible moment of his life will want her by his side forever, the girl thinks.”

Sohail discusses her inspiration for ‘Hair’ afterwards:

I was talking to a friend about how you know when a relationship is over, how you can like someone and then they seem suddenly irritating and even physically unattractive – I thought the idea would make for a funny story, a bit ironic.”

Two of the stories in the collection I could not appreciate. The story ‘Filamo’ by Irenosen Okojie is dense and surreal, two qualities which I am not fond of in stories. I guess I prefer the stories I read to be plain-spoken and realistic. Although a quite short short story, the Jessie Greengrass story has one paragraph that is three pages long. This is another case where the density of the writing got in the way of my appreciation. This may be my problem, not the author’s.

This is the nice thing about anthologies of stories. They give the reader an opportunity to try out a variety of authors with little effort.

 

Grade:   B